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You've selected:
Playing the Frame Drum
Sheetmusic to print
7 sheet music found
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1
Playing the Frame Drum
Playing the Frame Drum
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Bodhran
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INTERMEDIATE
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Bill Woods
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Playing the Frame Drum
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Bodhran - Intermediate-Advanced - SKU: M0.30390BCDEB Composed by Bill Woods. Percussion: Hand Percussion and Bodhran. Style. E-book and online audio. Me...
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Bodhran - Intermediate-Advanced - SKU: M0.30390BCDEB Composed by Bill Woods. Percussion: Hand Percussion and Bodhran. Style. E-book and online audio. Mel Bay Publications - Digital Sheet Music #30390BCDEB. Published by Mel Bay Publications - Digital Sheet Music (M0.30390BCDEB). ISBN 9781619114517. 8.75x11.75 inches.This book and accompanying audio show you how to play the frame drum using your fingers and hand surfaces. The method uses text, photographs, and the audio examples to demonstrate the various strokes and rhythms. Three ways of looking at rhythms are presented: Middle Eastern, Western and Balkan, with over 160 demonstrated rhythms.
$17.99 ≈
16.79€
The Sense of a Place Will Remain
The Sense of a Place Will Remain
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Choral SATB
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Contemporary
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Paul Burnell
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The Sense of a Place Will Rema
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Paul Burnell
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.835786 Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul Burnell (A0.835...
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Choral Choir (SATB) - SKU: A0.835786 Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul Burnell (A0.835786). Composed 2007, duration 8:30 approx. The music and text of ‘The Sense of a Place Will Remain’ was inspired by pictures of an early carved stone cross and a tenth-century Viking burial stone on the island of Inchcolm in Scotland. First performed by Inchcolm New Music Ensemble 29 June 2007, conductor Steve King. Instrumentation is flexible; the following is a guide: Part 1 - Violin 1, flute 1 (doubling piccolo if possible) oboe 1, Part 2 - Violin 2, flute 2, oboe 2 (doubling tenor recorder if possible), clarinet 1, trumpet Part 3 - Viola, clarinet 2, horn in F, Eb horn (2 players doubling harmonicas in C) Part 4 - Cello, bassoon Part 5 - Double bass, bass guitar (or Cello 2 - playing as if usual bass clef, but an octave lower where possible) SATB voices (doubling metal spoons and pitch pipes) Optional:Percussion (one player) - claves, glockenspiel (could be a child’s toy instrument such as an ‘Angel’ glockenspiel), mark tree, spring drum (thunder shaker), frame drum, musical jewelry box (or similar clockwork device).Should a glockenspiel not be available, a special part has been created which arranges the glockenspiel for two flutes, together with the other percussion music. This special part is not visible in the score. Keyboard instrument with sustaining capability - piano sound Instructions: Wind players can breathe ad lib. during any very long notes. From letter D onwards non-wind players who are not soloists blow across the top of small bottles. The pitches produced are not specified, but they should not be shrill. A soft breathy tone is preferred. About half of the voices play pairs of metal spoons (share printed part between two singers and anyone not holding the music holds metal spoons). Hold the spoons one in each hand, and strike the larger ends together. Spoons are struck together where shown with a large patterned note head. Strike rapidly where a tremolo sign is given. Four singers play pitch tuning pipes: 1 Soprano and 1 Alto play viola/cello pitch tuning pipes, 1 Tenor and 1 Bass play violin pitch tuning pipes Pitch pipe playing is indicated with square note heads - player should breathe ad lib. during very long notes. Where there are very long sung notes, the singers may stagger breathing ad lib. Spoken sounds are indicated with x note heads and with the text in italics. There are many pauses. These can be of varying duration, but on the whole they should not hold up the momentum of the piece, but be of sufficient duration to establish the solo and pitch pipe notes. Text: Carve stone Strike out Stay at home Or go far alone. Blocks of stone are laid Emblazoned with the signs of great deeds That signify our memory, Mem’ries of who we are. Careful carvings erode through time, Chiseled grooves smooth away. Families, they scatter and fade As generations age Descendants pass on memory time. Sense of our allegiance shifts when major faults are found, Feelings of belonging fall on shaky ground, But the sense of a place will remain.
$7.95 ≈
7.42€
Freeze Frame
Freeze Frame
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Jazz Ensemble
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INTERMEDIATE
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J
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Mark Coats
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Freeze Frame
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Mark Coats
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1171210 By J. Geils Band. By Peter Wolf and Seth Justman. Arranged by Mark Coats. Pop,Standards. 75 page...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.1171210 By J. Geils Band. By Peter Wolf and Seth Justman. Arranged by Mark Coats. Pop,Standards. 75 pages. Mark Coats #771550. Published by Mark Coats (A0.1171210). Full Jazz Band Vocal Arrangement Vocal Duet (4 Trpts, 4 Bones, 5 Saxes, Drum Set, Bass, Guitar, Piano, and Vocal Parts)(Piano is playing the vocal part in the sample. The sample starts at the beginning of the score).
$49.99 ≈
46.66€
Hear Ye Newes Today: Six Traditional Carols for Christmas
Hear Ye Newes Today: Six Traditional Carols for Christmas
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE/ADVANCED
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Christmas
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Brian Joyce
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Hear Ye Newes Today: Six Tradi
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Brian Joyce
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.836707 Composed by Brian Joyce. Christmas,Contemporary. Score and parts. 67 pages. Brian Joyce #322607...
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String Quartet String Quartet - Level 4 - SKU: A0.836707 Composed by Brian Joyce. Christmas,Contemporary. Score and parts. 67 pages. Brian Joyce #3226073. Published by Brian Joyce (A0.836707). What’s Christmas without a few toys? Here is a new suite of older carols for string quartet in which each musician is required to play a wee bit of percussion in addition to his or her real instrument. The potential for entertaining visual theater is nearly as high as the potential for mishap. (If all goes according to plan, nothing should actually go airborne.)This is something of a sequel to my earlier Christmas quartet And Therefore Be Merry, which has never been out of print since it was first published over twenty years ago. But where that work was a continuous medley, this is a set of independent and more fully developed movements, each able to stand on its own. As mentioned above, each member of the quartet is responsible for a small item of percussion. These are all things which could readily be found in a local school band room: a triangle, a tambourine, a suspended cymbal - played with a soft (yarn) stick - and a small frame drum, played with the bare hand. These are all earlier, earthier carols than what one typically finds on the radio or playing over the speakers at the mall. They include Gloucestershire Wassail, Riu Riu Chiu, Angelus ad Virginem, The Sans Day Carol, The Wexford Carol, and Masters in This Hall. Being perhaps less familiar, they bring a welcome respite from the overworked seasonal fare we all hear a bit too much of each year. They speak of simpler times, and of a far less frantic approach to Christmas. These fresh and inventive arrangements will make a useful addition to a quartet’s repertoire, provided the players have the requisite spirit of adventure. Score and Parts total 67 pages. Performance time is about 14 minutes.
$19.95 ≈
18.62€
Traditional Turkish song for 2 voices and oboe
Traditional Turkish song for 2 voices and oboe
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Vocal duet
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Traditional Turkish song
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Jelena Soro
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Traditional Turkish song for 2
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Jelena Soro
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SheetMusicPlus
Voice Duet Voice - SKU: A0.927344 Composed by Traditional Turkish song. Arranged by Jelena Soro. Concert,World. 12 pages. Jelena Soro #3580357. Publishe...
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Voice Duet Voice - SKU: A0.927344 Composed by Traditional Turkish song. Arranged by Jelena Soro. Concert,World. 12 pages. Jelena Soro #3580357. Published by Jelena Soro (A0.927344). Yağmur yağar taş üstüne is a beautiful and enchanting old Turkish song that you will enjoy playing over and over again. The meter is 7/8 and should be counted in groups of 2 2 3 (one-two one-two one-two-three).This unique arrangement will be great to spice up your recital or performance with some world music flavor. The arrangement could be performed with some light percussion (like darabouka, frame drum or hand percussion) or without.In the pdf you will find score and individual parts for both voices and oboe.The arranger Jelena Soro is a professional oboist and singer specialized in world music.https://www.facebook.com/jelenasoromusic/
$7.90 ≈
7.37€
Supercollider
Supercollider
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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Christine Southworth
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Gamelan Elektrika
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Supercollider
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Airplane Ears Music
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1013056 Composed by Christine Southworth. 20th Century,Contemporary,World. Score and parts. 35 pages. ...
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String Quartet String Quartet - Level 3 - SKU: A0.1013056 Composed by Christine Southworth. 20th Century,Contemporary,World. Score and parts. 35 pages. Airplane Ears Music #5802093. Published by Airplane Ears Music (A0.1013056). Super Collider (2010, 18 minutes) Kronos Quartet and electronic gamelanComposed for Kronos Quartet & Gamelan Elektrika. Premiered at Lincoln Center Out of Doors Festival, August 13, 2010 by Kronos Quartet and Gamelan Elektrika: Evan Ziporyn, kendang; Sean Mannion, kempli; Balaji Mani, ceng-ceng; Laurel Pardue & Sachi Sato, pemade; Katie Puckett & Sam Schmetterer, kantilan; Mark Buckles, Ramon Castillo, Elizabeth Johansen, Julie Strand, reong; Beth Mullins & Po-Chun Wang, pokokGamelan Elektrika is an electronic virtual gamelan designed and developed by Alex Rigopulos (founder and CEO of Harmonix Music, inventors of video games Guitar Hero and Rock Band). The piece is inspired by the Large Hadron Collider at CERN - the largest machine ever built, that's purpose is to change science forever, recreating the beginning of the universe in a tube and proving (or disproving) the theories of particle physics of the last half-century.Particle physics is the unbelievable in pursuit of the unimaginable. To pinpoint the smallest fragments of the universe you have to build the biggest machine in the world. To recreate the first millionths of a second of creation you have to focus energy on an awesome scale. - The GuardianSuper Collider will explore two obverse sound worlds and traditions, the vast culture of the string quartet juxtaposed with the ancient performance methods of a gamelan, unleashed through the unlimited sonic universe of electronics. In our own test-tube experiment, this musical moment of collision will hopefully achieve similarly unparalleled results.What does particle physics have to do with music and art? String theory, which the CERN facility hopes to verify or disprove, presumes that matter itself is the manifestation of resonant vibrations, that the world itself is a universal harmony. This post-modern notion - which Kronos embodies with every performance - itself resonates with the ancient Hindu notion of om, the absolute manifest, which is the basis of Indonesian gamelan. We will bring these two ideas of resonance together by combining Kronos with a gamelan - even a virtual one.The behavior of subatomic particles is probabilistic, group-oriented: the motion of any one particle is unpredictable and unknowable: it's what the group does that counts. This could also be a description of the Balinese gamelan, where individual virtuosity is subsumed to interlocking patterns, composite melodies, the sound of the whole. This is also the spirit of Kronos.When Robert Moog developed his synthesizer in the 1960s, he modeled its functionality on the piano and on western music in general - a single person, sitting at a keyboard. This is one reason why it was popularized by Wendy Carlos' Swtiched On Bach. Gamelan Elek Trika takes a similar approach to the very distinctive musical practices of Indonesia. Like the great gamelans of Bali and Java, Gamelan Elek Trika works as a single unit, played by a complete ensemble. The instruments are played like a gamelan - metallophones, drums, and gongs, playing interlocking patterns - but all are channeled through a central 'brain', a single processing unit which controls their sound, tuning, and timbre. The composer can thus alter the sonic environment globally, not just for one instrument at a time but for the complete ensemble.Super Collider is made possible by generous support from Alex Rigopulos and Sachi Sato, MIT, and the MIT Media Lab. Gamelan Elektrika instruments produced by Alex Rigopulos; sensors, electronics, and interface design by Andrew Boch, Matt Boch, and Laurel Pardue; technical assembly by Stéphanie Bouchard; frame design and assembly by Quentin Kelly.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic.
$35.00 ≈
32.67€
Complete Book of Irish and Celtic 5-String Banjo
Complete Book of Irish and Celtic 5-String Banjo
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Banjo
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INTERMEDIATE
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Celtic/Irish
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Tom Hanway
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Complete Book of Irish and Cel
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
By Tom Hanway. For Banjo (5-String). Celtic/Irish. 184 pages. Published by Mel Bay Publications - Digital Sheet Music ...
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By Tom Hanway. For Banjo (5-String). Celtic/Irish. 184 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781610655569. An important anthology of Irish and Celtic solos for the 5-string banjo featuring a comprehensive, scholarly treatise on the history, techniques, and etiquette of playing the banjo in the Celtic tradition. Includes segments on tuning, pick preferences, and tablature reading followed by 101 jigs, slides, polkas, slip jigs, reels, hornpipes, strathspeys, O'Carolan tunes, plus a special section of North American Celtic tunes. A generous collection of photos of Irish folk musicians, street scenes, and archaeological sites further enhances this fabulous book. All of the solos included here are written in 5-string banjo tablature only with a few tunes set in unusual banjo tunings. The appendices provide a sizable glossary and a wealth of information regarding soloists and groups playing Celtic music, Irish festivals, music publications, on-line computer resources, cultural organizations, and more. If you are serious about playing Celtic music on the 5-string banjo, or if you don't play the banjo but simply want to expand your knowledge of the Celtic music tradition-you owe yourself this book. The first-ever audio collection of Irish and Celtic music for 5-string banjo provides 68 lovely melodies and demonstrates revolutionary techniques for playing highly ornamented tunes and rolling back-up. Recorded in stereo with virtuosos Gabriel Donohue (steel- and nylon-string guitar and piano) and Robbie Walsh (bodhran- frame drum played with a stick), the five-string banjo is "out front" and plays through each melody in real-life tempo with authentic Celtic chordal and rhythmic backing. The recording features the music of all Six Celtic Nations and includes jigs, reels, hornpipes, slides, polkas, marches, country dances, larides, andros, slipjigs, strathspeys, airs and O'Carolan tunes. 35 songs in the book are not on the audio recording. Includes access to online audio.
$24.99 ≈
23.32€
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Playing the Frame Drum
